In the morning, my phone is unable to capture the bright lights adorning the Hazrath Syed Madar Sha Wali Dargah, near Mohamed Sab Palya. My phone camera’s shutter speed is faster than the light’s frequency. It is the annual Urz, the annual gathering around the time of the Sufi peer’s death. My ImageMagick installation is unable to convert that into a .webm video without the artifacts

I know 1, 2, 3, 4, 5 and more people who have been down with fever, cold and/or other things. The 6th is me. I thought it was all fine once the fever went away and I could walk somewhat in the sun without being tired. But looks like a hot body needs a lot of water. Dehydration brought me to a night at a hospital with IV fluids. Dawn rose and in the room whose window doesn’t even tint yellow during dawn, the only marker of morning was the loud shift-handover conversations. The doctors and nurses were kind, and the room was

Floyd laps up the water on an unusually hot day, somedays during my sick period, the whole world would turn yellow or green and your eyes do not look forward to meeting the world

I have been very slow with my notes, and I’ve generally been slow and weak this week, I’m learning to drink enough water, and it already has reversed some symptoms I had been having for a few months. I am happy that some things I had not gone to a doctor for are resolving, some I continue to be criminally procrastinative about.

Somwhere near Orion, somewhere in bangalore, somewhere in the past two weeks, the days are becoming a blur into eachother
  • The School for Sensitive Ecologies at Livinglabs Institute conducted the ‘Mapping to understand socio-ecological phenomena in the place’ course as a short half day workshop with DLHSS MAHE students at Gantiganahalli Lake, Yelahanka. The course was titled Mapping to understand socioecological phenomena in the place, but more intentionally, we were thinking of making — making artifacts could guide what is by nature a very complex process of observing, reflecting and notiong.

    Making allows very concrete actions in the short term to guide further enquiries. In a previous 3 hour session of the same course, which took place at the transect mired with inaccessible land near Yelahanka kere, where we had scaffolded much of their observations using the fieldguide and fieldmaps. The fieldguides were being used to annotate observations, but really, in the span of a few hours, how does one observe and document when they have not observed in the specific context intentionally previously?

    A reflection from that session was that the act of annotating itself was not perceived as leading to something (we must remember that it is only 3 hours we had with the learners). Naturally there was less interest to annotate. So the annotation must lead to something! Something that would be possible within the few hours we had. It is then we settled that in this session, the ‘mapping’ or ‘making’ would actually happen after learners came back from the field, while in the field, the observations would be in the form of sketching/collecting/notating. This borrows from the course plan for “Artefact as method”

    The learners display the field sketches, collected grasses, flowers and plastics and annotate the human and the ecological they notice as a way to make a timeline of the things they observe beside the lake

    Mapping to understand socioecological phenomena was planned around the course of a stream in Bidar.

    Learners will be bringing their own practice: of creative writing, of visual media, or of digital media or any related practice into a spatial domain, meaning that they will explore the emergence of a mixed and interdisciplinary form, of the map and of their own practice. This course will be relevant for all those who work across disciplines in the intersection of the urban, the non-human world, and the human interaction with it. The map will be read, made, critiqued, communicated and used in both a physical and digital form, as we understand one particular system in Bidar. We will be walking, talking and engaging with the system on the field as we use the map to document and observe.

    The objective of this workshop is to use the ‘map’ either cartographic, or of memory, or of time as a field instrument to understand the socio-ecological system of the transect - the Mangarwada - Jungle Koyi - Halladhkeri stream.

    From the course plan for “Mapping to understand socioecological phenomena in the place”



    ”Artefact as Method” was actually planned around Gantiganahalli Lake, where this workshop is taking place

    Artefacts have been a driving factor of our practice. It has been the center of how we engage, collaborate in a space and also present work and learning. Artefacting as a methodology helps push back on linear approaches to research. It becomes a method that includes and encourages plurals, perspectives, complexity and nuances.

    They are also primarily a way to delve deeper into ones practice and use it as a method rather than just the final component or an end product/output. For example if you are a developer, traditional methods of development involve - research, ideation, design, prototyping and development. And for someone who is not strict in their titles and identity, this framework often feels limiting as one feels that the development can not begin until prior stages are complete. It also reinforces the notion that once a step is finished, the other begins, making movement between stages less porous. Collaboration using artefacts as a method happens differently. If there is a team of multi disciplinary individuals - say a researcher, designer and developer. Each person uses their practice to make something at every stage. This artefact becomes the way to to research, way to ideate, design and develop. Artefacts by nature are complex, iterative, constantly evolving and dynamic. It ensures that the framework remains porous and iterative by intent.

    From the course plan for ’’Artefact as Method”. The learners sketch, collect and annotate, somewhere on the trail close to the railway crossing

Something that piqued all our curiousities
Another ant hill that appears to be building like a parabola. Previously I’ve seen one at YNC
The train track is very close by to this grassland-wetland patch. Although we heard none. You can hear heavy trucks passing by sometimes, but they are distant. What one does hear are the birds and the shoo-shoos of the cow-herds there.
Graffiti adorns and captures the attention of people more than the ecology of the place.
Wikidata’s birthday is celebrated on stage with a cake
Behind the campus, grass grows over the hard laterite rock. This particular one is flowering through, the resilience to grow on such hard rock! M tells me that she might know this species. I will update this note when she remembers it. She identifies it! It belongs to the Polycarpaea genus.. I wish to understand what else grows on Laterite like this.
There are small crabs in the boat. My neighbour slips and crushes one of them on his fall, he escapes unhurt.
The path floods as we come back in an hour. The tide increases very fast here. One stem breaks down as I slip over it, for it to crumble like soft soap
A micro habitat in the mangrove waters
A asks why the water is so ‘dirty’
A palm tree whose bark has eroded away so much. I wonder what makes it look so old
Creepers encapsulate this coconut tree
Tall grass is growing in linear lines on the laterite, now dry
In the battle between chappals and shoes, a chappal wins
  • I have not often noticed festivals at the Mosque and Dargah near my house. Eid was very bright but not like the Urz, the Urz had a market lining the footpath and big boards. The area remains very clearly segregated. Only on the main road, and heading towards Doddabettahalli does one see muslim households.

    Announcing the urz in Urdu, Kannada and English, with even the MLA from Yelahanka, BJP, Viswanath featured in one poster (on the left)
The agencies of bangalore and GoK suddenly seem to believe in the house as an asset to canvas for. From left to top-right, 2 caste survey stickers, UHID has not been filled, and other says caste survey has been completed. At the bottom, there is a BCP sticker with no number of the station incharge filled in.